Kepler attempted to interrelate notes on the musical scale to the geometry of the solar system. Geometry—the mind of God—aesthetics of music—he saw it all as varied expressions of the same life substance. Planets orbits hummed intelligible tones as they progressed in their orbits. He arrived at the 3rd law of planetary motion, while attempting to fit orbits into the musical scale. He began with the hypothesis that orbital paths were circular—yet when he could no longer deny the evidence that they were elliptical, his understanding of God changed as well. This was one of the more inspiring bits of information I read while skimming The Cosmic Mystique, a book I happened upon at the library the other day—I don’t really recommend the book BTW.
Monday, July 31, 2006
Kepler--the planetary musician
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment